The story that you have asked me to tell you does not begin with the pitiful ugliness of Lloyd’s death. It begins on a long-ago day in August when the sun seared my blistered face and I was nine years old and my father and mother sold me to a strange man.
Memory, the narrator of Petina Gappah’s The Book of Memory, is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, after being sentenced for murder. As part of her appeal, her lawyer insists that she write down what happened as she remembers it.
The death penalty is a mandatory sentence for murder, and Memory is, both literally and metaphorically, writing for her life. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers?
Moving between the townships of the poor and the suburbs of the rich, and between past and present, the 2009 Guardian First Book Award–winning writer Petina Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.
Author: Petina Gappah | Print ISBN: 978-9784851848 | Format: Flapped paperback | No. of Pages: 311 | Pub. Date: 2016
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About Petina Gappah
PETINA GAPPAH is a Zimbabwean writer with law degrees from Cambridge, Graz University and the University of Zimbabwe. Her debut story collection, An Elegy for Easterly (2009) was short-listed for the Frank O’Connor International Short Story Award and the Los Angeles Times Art Seidenbaum Award for First Fiction, and won the 2009 Guardian First Book Award.
| Weight | 1.5 kg |
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| Dimensions | 60.0 × 0.4 × 6.0 cm |
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Olivia Evezi’s childhood is a happy one; her days are spent listening to highlife records and poring over colourful postcards from Germany. When she leaves her hometown of Warri behind to live out her Enid Blyton fantasies in a boarding school in Lagos, instead of adventure and lacrosse, she is met with punishments, endless chores and hazing rituals.
Olivia’s restlessness takes her to Germany, her mother’s homeland, where she is thrown into a hidden world of workers and migrants; a world of constant vigilance, where a piece of paper can hold the key to survival. Olivia finds that she is destined to always be an outsider – too white for Nigeria and too black for Germany – and so must learn to define herself and her place in the world beyond the labels that have been given to her: exotic, foreign, oyinbo.
German Calendar, No December is a candid and reflective coming of age tale about learning to navigate the world, with the help of good music, good books, good friends, and a touch of courage.
SHORTLISTED FOR THE CALIFORNIA BOOK AWARDS 2017
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Dr. Morayo Da Silva, a cosmopolitan Nigerian woman, lives in San Francisco. On the cusp of seventy-five, she has a zest for life and makes the most of it through road trips in her vintage Porsche, chatting to strangers, and reminiscing about characters from her favourite novels. Then she has a fall and her independence crumbles. Without the support of family, she relies on friends and chance encounters to help keep her sanity. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband.
A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman.
Author: Sarah Ladipo Manyika | Print ISBN: 978-1911115045 | E-Book ISBN: 978-1911115052 | Format: Flapped paperback | No. of Pages: 126 | Pub. Date: April 2016
WINNER OF THE NLNG NIGERIA PRIZE FOR LITERATURE
An affair between 55-year-old widow Binta Zubairu and 25-year-old weed dealer Reza was bound to provoke condemnation in conservative Northern Nigeria. Brought together in unusual circumstances, Binta and Reza faced a need they could only satisfy in each other. Binta – previously reconciled with God – now yearns for intimacy after the sexual repression of her marriage, the pain of losing her first son and the privations of widowhood. Meanwhile, Reza’s heart lies empty and waiting to be filled due to the absence of a mother. The situation comes to a head when Binta’s wealthy son confronts Reza, with disastrous consequences. This story of love and longing – set against undercurrents of political violence – unfurls gently, revealing layers of emotion that defy age, class and religion.
GLOSSARY OF HAUSA/ARABIC WORDS AND PHRASES
Author: Abubakar Adam Ibrahim | Print ISBN: 978-1911115007 | E-Book ISBN: 978-1911115014 | Format: Flapped paperback | No. of Pages: 320| Pub. Date: May 2016
A compelling story about the human spirit and resilience against the odds. Imagine This is the journal of Lola Ogunwole which she starts at the age of nine; it charts her survival from childhood to adulthood.
Born in London to Nigerian parents, Lola and her brother Adebola grow up in a temporary foster home after their mother abandons them. They are briefly reunited with their father when, in danger of losing them for good, he packs up and moves them back to Nigeria to live.
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Author: Sade Adeniran | Print ISBN: 978-9784894357 | No of Pages: 267 | Format: 128 x 196 | Pub Date: 2011
Includes the 2021 and 2022 shortlisted AKO Caine Prize stories as well as stories from the Caine Prize workshop
A woman who carries her fate and that of her community in her hair is beguiled by the deceptive designs of Europeans out to colonise her most prized possession. A man finds happiness in the reincarnation of a lost love. A young woman risks her life for freedom through the cultural practice of a human loan scheme.
Tales of sacrifice, love, freedom, self-discovery and loss fill the pages of this larger-than-life tapestry of stories from across Africa and its diaspora. Forged in a diversity of tempers and forms, these stories range from the epistolary to the experimental, from mysteries, noirs and political thrillers to speculative fiction and futurism, and much more. In prose that moves from visual and lyrical to gritty and visceral, these writers explore fate, memory, the fragility of love and the duplicitous nature of human interactions.
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