A young man decides to visit Nigeria after years of absence. Ahead lies the difficult journey back to the family house and all its memories; meetings with childhood friends and above all, facing up to the paradox of Nigeria, whose present is as burdened by the past as it is facing a new future.
Along the way, our narrator encounters life in Lagos. He is captivated by a woman reading on a danfo; attempts to check his email are frustrated by Yahoo boys; he is charmingly duped buying fuel. He admires the grace of an aunty, bereaved by armed robbers and is inspired by the new malls and cultural venues. The question is: should he stay or should he leave?
But before the story can even begin, he has to queue for his visa…
Every Day is for the Thief is a striking portrait of Nigeria in change. Through a series of cinematic portraits of everyday life in Lagos, Teju Cole provides a fresh approach to the returnee experience.
Author: Teju Cole | Print ISBN: 978-9780805159 | Format: Flapped paperback | No. of Pages: 130 | Pub. Date: 2007
Teju Cole is a writer and photographer currently based in New York. He has worked as a cartoonist, dishwasher, lecturer, gardener and haematology researcher. His writing has appeared in various journals in Nigeria and the US.Every Day is for the Thief is his first novel.
Find out more at Teju Cole’s website.
You may also like to read Teju Cole’s eight letters to a young writer.
| Weight | 1.5 kg |
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| Dimensions | 60.0 × 0.4 × 6.0 cm |
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WINNER OF THE NLNG NIGERIA PRIZE FOR LITERATURE
An affair between 55-year-old widow Binta Zubairu and 25-year-old weed dealer Reza was bound to provoke condemnation in conservative Northern Nigeria. Brought together in unusual circumstances, Binta and Reza faced a need they could only satisfy in each other. Binta – previously reconciled with God – now yearns for intimacy after the sexual repression of her marriage, the pain of losing her first son and the privations of widowhood. Meanwhile, Reza’s heart lies empty and waiting to be filled due to the absence of a mother. The situation comes to a head when Binta’s wealthy son confronts Reza, with disastrous consequences. This story of love and longing – set against undercurrents of political violence – unfurls gently, revealing layers of emotion that defy age, class and religion.
GLOSSARY OF HAUSA/ARABIC WORDS AND PHRASES
Author: Abubakar Adam Ibrahim | Print ISBN: 978-1911115007 | E-Book ISBN: 978-1911115014 | Format: Flapped paperback | No. of Pages: 320| Pub. Date: May 2016
Àdùké lives with her grandparents in Ibadan and Grandma is her favourite person in the world. She loves when Grandma sings to her, and gives her treats from her stall. But one day, Àdùké comes home from school and can’t find Grandma anywhere! Àdùké doesn’t understand why Grandma can’t come back, but then her aunt Yímiká tells her a secret. Can she really see Grandma if she squints up at the moon?
Àdùkẹ́ ń gbé pẹ̀ lú àwọn òbí òbí rẹ̀ ní ìlú Ìbàdàn, Ìyá Àgbà ló sì fẹ́ràn jùlọ lágbàáyé.
Ó fẹ ́ràn kí Ìyá Àgbà máa kọrin fún àti bí wọ́n ṣe máa ń fun ní kókóró láti inú ìsọ̀ wọn.
Ní ọjọ́ kan, Àdùkẹ́ dé láti ilé-ìwé, ṣùgbọ́ n kò rí Ìyá Àgbà níbì kankan! Àdùkẹ́ ò mọ ìdí tí
Ìyá Àgbà ò le padà wá mọ́. Nígbà náà ni àntí Yímíká sọ àṣírí kan fún.
Ṣé lóòótọ́ ni ó lè rí Ìyá Àgbà nínú òṣùpá tí ó bá ṣe ojú rẹ̀ tínńtín?
Olivia Evezi’s childhood is a happy one; her days are spent listening to highlife records and poring over colourful postcards from Germany. When she leaves her hometown of Warri behind to live out her Enid Blyton fantasies in a boarding school in Lagos, instead of adventure and lacrosse, she is met with punishments, endless chores and hazing rituals.
Olivia’s restlessness takes her to Germany, her mother’s homeland, where she is thrown into a hidden world of workers and migrants; a world of constant vigilance, where a piece of paper can hold the key to survival. Olivia finds that she is destined to always be an outsider – too white for Nigeria and too black for Germany – and so must learn to define herself and her place in the world beyond the labels that have been given to her: exotic, foreign, oyinbo.
German Calendar, No December is a candid and reflective coming of age tale about learning to navigate the world, with the help of good music, good books, good friends, and a touch of courage.
“We are beings-in-common.”
Tequio in Mexico, auzolan in Basque Country, lumbung in Indonesia, ubuntu in South Africa, mutirão in Brazil – all terms used around the world to describe the concept of collective work. Bringing together 8 publishing houses and 7 writers, each writing in a different language, Lumbung Stories is a true product of communal action. From speculative essays and experimental texts to intimate stories that portray collective work as something every day and habitual, each writer presents their unique take on what a “lumbung story” is.
Blurring the lines between realism and fiction, the past and the future, this unique and powerful collection brims with life and is a vital reminder of the ties that unite us all.
Aminah lives an idyllic life in the village of Botu, until she is brutally separated from her home and forced on a journey that will turn her from a daydreamer into a resilient woman. Wurche, the wilful daughter of a chief, is desperate to play an important role in her father’s court at Salaga-Kpembe.
The lives of these two remarkable women converge in a tumultuous meeting that takes them from mistress and slave to unlikely allies, as Aminah and Wurche find themselves tangled in a web of desire, jealousy, political intrigue and illicit affairs. Meanwhile, infighting among Wurche’s people threatens to leave the region exposed to powers much larger than themselves.
The Hundred Wells of Salaga explores the depths of female friendship in this stirringly intimate reimagining of life in pre-colonial Ghana. This captivating novel establishes Ayesha Harruna Attah as one of the most distinctive voices of the contemporary literary scene.
Author: Ayesha Harruna Attah | Print ISBN: 978-1911115519 | E-Book ISBN: 978-1911115526 | Format: Flapped paperback | No. of Pages: 234 | Pub. Date: UK: 8th May 2018 | Pub. Date: Nigeria: 8th July 2018
A Man Who Is Not A Man recounts the personal trauma of a young Xhosa initiate after a rite-of-passage circumcision goes wrong. With frankness and courage, this powerful novel details the pain and lifelong shame this protagonist experiences as a result not only of the physical trauma, but the social ostracism from being labeled ‘a failed man.’ He decodes the mysteries of this long-standing cultural tradition and calls to account the elders for the disintegrating support systems that allow such tragic outcomes. But it is also through this life-changing experience that the protagonist is forced to find his strength and humanity and reassess what it really means to be a man.
For a polygamist like Baba Segi, his collection of wives and a gaggle of children are the symbol of prosperity, success and validation of his manhood. Everything runs reasonably smoothly in the patriarchal home, until wife number four intrudes on this family romance.
Bolanle, a graduate amongst the semi-literate wives, is hated from the start. Baba Segi’s glee at bagging a graduate doesn’t help matters. Worse, Bolanle’s arrival threatens to do more than simply ruffle feathers. She’s unwittingly set to expose a secret that her co-wives intend to protect, at all costs.
Lola Shoneyin’s light and ironic touch exposes not only the rotten innards of Baba Segi’s polygamous household in this cleverly plotted story; it also shows how women not educated or semi-literate, women in contemporary Nigeria can be as restricted, controlled and damaged by men – be they fathers, husbands, uncles, rapists – as they’ve never been.
Author: Lola Shoneyin | Print ISBN: 978-9784851800 | Format: 123 x 197mm | No. of Pages: 245 | Pub Date: 2010
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