Accra Noir

By (author)Nana-Ama Danquah

Accra is the perfect setting for noir fiction. The telling of such tales—ones involving or suggesting death, with a protagonist who is flawed or devious, driven by either a self-serving motive or one of the seven deadly sins—is woven into the fabric of the city’s everyday life . . .

Accra is more than just a capital city. It is a microcosm of Ghana. It is a virtual map of the nation’s soul, a complex geographical display of its indigenous presence, the colonial imposition, declarations of freedom, followed by coups d’état, decades of dictatorship, and then, finally, a steady march forward into a promising future . . .

Much like Accra, these stories are not always what they seem. The contributors who penned them know too well how to spin a story into a web . . . It is an honour and a pleasure to share them and all they reveal about Accra, a city of allegories, one of the most dynamic and diverse places in the world.

 

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Nana-Ama Danquah is an author, editor, freelance journalist, ghostwriter, public speaker, actress, and teacher. Her groundbreaking memoir, Willow Weep for Me: A Black Woman’s Journey Through Depression (W.W. Norton & Co.) was hailed by the Washington Post as “A vividly textured flower of a memoir, one of the finest to come along in years.” A native of Ghana, Ms. Danquah is the editor of four anthologies: Becoming American: Personal Essays by First Generation Immigrant Women (Hyperion); Shaking the Tree: New Fiction and Memoir by Black Women (W.W. Norton & Co.); The Black Body (Seven Stories Press); and, Accra Noir, which is forthcoming from Akashic Press as part of their popular noir series.

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