German Calendar, No December

“This multi-generational, cross-cultural anthology […] is infused with multiple perspectives, aesthetics, preoccupations and sensibilities. It offers up a broad sense of community between Black women writers who are consciously interrogating what it means to be human from our unique perspectives.”  Bernadine Evaristo

Featuring the work of Black women poets from Botswana to Brazil, in this collection, we encounter ancestors who made love, just for the sake of love, and women who die with each orgasm while attempting to mark the extent of their own humanities. 

This is for the nuns, the singers, the clowns, the diviners and the conjurers who reject the constant attempt to clean up history. The wildly imperfect women of slick braids, shiny skin and succulent lips, building new homes from clouds for future legions. 

Here congregate the women, womxn and womyn who do not believe in tough love that disguises hurt just to prove a point. They dance with the dead with exquisite feet, cheekbones high, reflecting their mothers’ smiles.

Because no one claps for martyrs, these dirty/pretty women learn to walk cities like they own them, choosing the battles of their hearts.

If this collection teaches anything, it is that love is always messy, that our sacrament requires wet wipes and that we are just flesh and bone honing practice.  

Contributors include iconic poets such as Nikki Giovanni, Diana Ferrus, Miriam Alves, Jackie Kay, NourbeSe Phillip, Cheryl Clarke, Lebogang Mashile, Staceyann Chin, Olumide Popoola, Makhosazana Xaba, Koleka Putuma, Safia Elhillo, Gabeba Baderoon, Warsan Shire, Ladan Osman, Anni Domingo, Elizandra Souza, and Jumoke Verissimo.