About Elnathan John
Elnathan John is a lawyer, novelist and satirist. His short stories have been shortlisted twice for the Caine Prize for African Writing, in 2013 and 2015. His novel, Born on a Tuesday won a Betty Trask Award and was shortlisted for the Nigeria Prize for Literature. It has been translated into German and French and won the 2019 Le Prix Littéraire Les Afriques . His book — a satire collection Be(com)ing Nigerian, A Guide was published by Cassava Republic Press in 2019 and his graphic novel, On Ajayi Crowther Street, in November 2019. Elnathan lives in Berlin and is a 2019 recipient of the Berlin Senate grant for non-German literature.
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On Ajayi Crowther Street
₦3,600.00 – ₦7,500.00On the noisy Ajayi Crowther Street in Lagos, neighbours gather to gossip, discuss noise complaints, and faithfully head to church each Sunday. But beneath the surface lies a hidden world of clandestine love affairs, hidden pregnancy, spiritual quackery and hypocrisy, that threatens to destroy the community from within.
On Ajayi Crowther Street peels back the curtains on the lives of Reverend Akpoborie and his family, to reveal a tumultuous world full of secrets and lies. His only son, Godstime, is struggling to hide his sexuality from his parents whilst his daughter Keturah must hide the truth of her pregnancy by her pastor boyfriend to preserve her and her family’s image. But it is the Reverend himself who hides the darkest secret of them all, as his wondering eye lands on Kyauta, their young live-in maid.
Be(com)ing Nigerian: A Guide
₦2,000.00 – ₦6,000.00Nigeria Pub Date: 6th February 2019
UK Pub Date: July 2019
“The Nigerian god loves money. Because money answereth all things. You know how Nigeria is, things may be difficult, but they are always possible with money.”
In Be(com)ing Nigerian: A Guide, Elnathan John provides an affecting, unrestrained and satirical guide to the Nigerians you will meet at home and abroad, or on your way to hell and to heaven. A religious tells you It is a searing look at how power is abused, negotiated and performed in private and public; in politics, business, religious institutions and in homes. From the exploration of religious hypocrisy to inequality in matters of the heart, the collection is a jab at Nigerian society and what it means to be a Nigerian. Beyond poking fun at the holders of power, it is also a summons, a provocation and a call for introspection among all levels of society. As is often said in Nigeria, when you point with one finger, there are four others pointing back at you.
This engrossing read is a must-have for seasoned Nigerian-watchers and a uniquely informative guide for newcomers to Nigeria, with its tongue-in-cheek look at Nigeria’s relationship to itself and the world, both culturally and politically.