Fourteen-year old Matilda Lamptey’s life changes forever when the suave and sophisticated Gold Coast lawyer Robert Bannerman decides to take her as his second wife. With her childhood snatched away, Matilda finds herself trapped in a jealous household, and finds herself constantly out-manoeuvred by Julie, Bannerman’s first-wife. At the same time, we follow the story of Audrey, the wife of the assistant to the Governor in the Colonial Office. Her life has also been turned around as she faces the tedium of daily life and the unbearable heat.
Cloth Girl is a lucid account of life in colonial West Africa, told through the eyes of two very different women. Marilyn Heward Mills’ first novel is full of expressive prose and a compelling read. The novel was shortlisted for the 2007 Costa Awards debut novel.
Author: Marilyn Heward Mills | Print ISBN: 978-9784851862 | No of Pages: 370 | Pub Date: 2008
Marilyn Heward Mills was born in Switzerland and brought up in Ghana. She was a practising lawyer for over nine years, and now lives in South London with her husband and two children. Cloth Girl is her first novel.
Find out more at Marilyn Heward-Mills’ website.
| Weight | 1.5 kg |
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| Dimensions | 60.0 × 15.3 × 6.0 cm |
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In the early sixties, Tayo Ajayi sails to England from Nigeria to take up a scholarship at Oxford University. There he discovers a whole generation high on visions of a new and better world. He meets Vanessa Richardson, the beautiful daughter of a former colonial officer. Their story, which spans four decades, is a bittersweet tale of a brave but doomed affair and the universal desire to fall truly, madly and deeply in love.
A lyrical and moving story of unfulfilled love fraught with the weight of history, race and geography and intertwined with questions of belonging, aging, faith and family secrets. In Dependence explores the complexities of contemporary Africa, its Diaspora and its interdependence with the rest of the world.
A young man decides to visit Nigeria after years of absence. Ahead lies the difficult journey back to the family house and all its memories; meetings with childhood friends and above all, facing up to the paradox of Nigeria, whose present is as burdened by the past as it is facing a new future.
Along the way, our narrator encounters life in Lagos. He is captivated by a woman reading on a danfo; attempts to check his email are frustrated by Yahoo boys; he is charmingly duped buying fuel. He admires the grace of an aunty, bereaved by armed robbers and is inspired by the new malls and cultural venues. The question is: should he stay or should he leave?
But before the story can even begin, he has to queue for his visa…
Every Day is for the Thief is a striking portrait of Nigeria in change. Through a series of cinematic portraits of everyday life in Lagos, Teju Cole provides a fresh approach to the returnee experience.
Author: Teju Cole | Print ISBN: 978-9780805159 | Format: Flapped paperback | No. of Pages: 130 | Pub. Date: 2007
Unbury our Dead With Song is a novel about four talented Ethiopian musicians – The Diva, The Corporal, the Taliban Man and Miriam, who are competing to see who can sing the best Tizita (popularly referred to as Ethiopian blues). Taking place in an illegal boxing hall in Nairobi, Kenya, the competition is covered by a US educated Kenyan journalist, John Thandi Manfredi, who writes for a popular tabloid, The National Inquisitor. He follows the musicians back to Ethiopia in order to learn more about the Tizita and their lives. As he learns more about the Tizita and the multiple meanings of beauty, he uncovers that behind each of the musicians, there are layered lives and secrets. Ultimately, the novel is a love letter to African music, beauty and imagination.
Imprisoned for ten years for his rage against society, activist and retired academic Prof resolves to live a life of darkness after his release from prison. He holes up in his apartment, pushing away friends and family, and embraces his status as an urban legend in the neighbourhood until a knock at the door shakes his new existence.
His new visitor is Desire, an orphan and final year student, who has grown up idolising Prof, following a fateful encounter in her hometown of Maroko as a child. Tentatively, the two begin to form a bond, as she returns every night at 9pm to see him. However, the darkness of the room becomes a steady torment, that threatens to drive Desire away for good.
A Small Silence is an intimate and evocative debut charges us to look again at the alienating effects of trauma and the power of solitude and darkness to ignite the imagination.
How do you get to know your daughter when she is dead?
This is the question which takes a mother on a journey of self-discovery. When her daughter Yinka dies, Mojisola is finally forced to stop running away from the difficulties in their relationship, and also come to terms with Yinka the woman. Mojisola’s grief leads her on a journey of self-discovery, as she moves into her daughter’s apartment and begins to unearth the life Yinka had built for herself there, away from her family.
Through stepping into Yinka’s shoes, Mojisola comes to a better understanding not only of her estranged daughter, but also herself, as she learns to carve a place for herself in the world beyond the labels of wife and mother. A bold and unflinching tale of one women’s unconventional approach to life and loss.
Olivia Evezi’s childhood is a happy one; her days are spent listening to highlife records and poring over colourful postcards from Germany. When she leaves her hometown of Warri behind to live out her Enid Blyton fantasies in a boarding school in Lagos, instead of adventure and lacrosse, she is met with punishments, endless chores and hazing rituals.
Olivia’s restlessness takes her to Germany, her mother’s homeland, where she is thrown into a hidden world of workers and migrants; a world of constant vigilance, where a piece of paper can hold the key to survival. Olivia finds that she is destined to always be an outsider – too white for Nigeria and too black for Germany – and so must learn to define herself and her place in the world beyond the labels that have been given to her: exotic, foreign, oyinbo.
German Calendar, No December is a candid and reflective coming of age tale about learning to navigate the world, with the help of good music, good books, good friends, and a touch of courage.
Best mates Karl and Abu are both 17 and live near Kings Cross. It’s 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local ‘wannabe’ thugs just for being different.
When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he’s never known.
Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world. Increasingly distant from happenings in London, Karl falls headlong for Nakale’s feisty cousin, Janoma.
Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself caught up in its midst, leading to a tragedy that forces Karl to race back home.
When We Speak of Nothing launches a powerful new talent. The stream of consciousness prose, peppered with contemporary slang, captures what it means to be young, black and queer in London. If grime music were a novel, it would be this.
Author: Olumide Popoola | Print ISBN: 978-1911115458 (UK) | Print ISBN: 978-9785517712 (Nigeria) | E-Book ISBN: 978-1911115465 | Format: Flapped paperback | No. of Pages: 256 | Pub. Date: UK: 3rd July 2017 | Pub. Date: Nigeria: 3rd August 2017
“We are beings-in-common.”
Tequio in Mexico, auzolan in Basque Country, lumbung in Indonesia, ubuntu in South Africa, mutirão in Brazil – all terms used around the world to describe the concept of collective work. Bringing together 8 publishing houses and 7 writers, each writing in a different language, Lumbung Stories is a true product of communal action. From speculative essays and experimental texts to intimate stories that portray collective work as something every day and habitual, each writer presents their unique take on what a “lumbung story” is.
Blurring the lines between realism and fiction, the past and the future, this unique and powerful collection brims with life and is a vital reminder of the ties that unite us all.
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